Showing posts with label Frisky and Mannish. Show all posts
Showing posts with label Frisky and Mannish. Show all posts

Friday, October 26, 2012

Poptastic fun - Frisky & Mannish review



Frisky & Mannish at The Corn Exchange, Newbury on October 3, 2012

I HOPE Frisky & Mannish realise that they impressed me so much on their first visit to Newbury, at New Greenham Arts last October, that not only have I broken my own golden rule about not seeing the same act twice within two years, but I have actually planned this write-up within 12 months of the last one specifically to spread the word about their twinklesome fabulousness. I even missed Red Dwarf legend Norman Lovett at Arlington Arts on the same night for this pair Now, that’s devotion.

This all for a musical comedy twosome who I first dismissed as a “bit pants” on seeing them as part of BBC Three’s Edinburgh Fringe coverage. But lo - on seeing them live, the scales fell from my eyes, and I realised that well known pop songs reworked by a delightfully flamboyant pair of Oxford University graduates (Laura Corcoran and Matthew Floyd Jones) is not only the future of comedy, but the future of pop music.

Their current tour, Extra Curricular Activities, sees an upgrade of venue size - in Newbury’s case, from NGA to The Corn Exchange - and a setlist which mixes the best bits of their previous shows with some new material which proves they still have their fingers firmly on the pop pulse. While their previous tour, Popcentre Plus, had something of a cod-educational bent to it, Extra Curricular Activities goes all out for greatest hits-style fun; cramming in as many pastiches as possible, from Cheryl (Cole, as was, until she recently decided she was famous enough to drop the surname entirely) to Karen Carpenter, and Dizzy Rascal to the Bee Gees.

F&M’s talent (apart from the chameleon-like vocal talents of Corcoran, Floyd Jones’ snake-like hips, and an overall fantabulous sense of style, of course) is spotting the similarities between performers or songs from entirely different genres, making them unlikely musical bedfellows, and then taking the idea and running with it until the audience twig that they were in fact right all along, and in fact the link between the disparate performers should be blindingly obvious. And so, the Phantom Of The Opera-like “mentor” of sultry poppet Lana del Rey was revealed to be the barrel-voiced singer of Canadian one hit wonders Crash Test Dummies; and “X Factor reject” Diana Vickers to be the unexpected vocal lovechild of 90s Community Service dodger Mark Morrison.

The F&M concept of “pop” was widened for this show with an educational glimpse into the world of Made In Chelsea for audience members who hadn’t seen it (all but one, it turned out; and the F&M precis was more than enough), and an insightful interview with Cheryl (the one who was Cole). Lots of life-affirming fun, enforced audience dancing and game-for-anything volunteers. Everyone should have a little bit of F&M in their lives; and on Saturday night, The Corn Exchange certainly did.


  • First published in the Newbury Weekly News on October 18, 2012


Thursday, October 27, 2011

So good, I bought the T-shirt - review of Frisky and Mannish

 


Frisky and Mannish: Popcentre Plus at New Greenham Arts, on Thursday, October 6

I HAVE a confession about Frisky and Mannish: after seeing them perform on BBC Three’s Edinburgh Fringe showcase, I dismissed them as “a bit pants” and knowing that their Newbury date was one of several I was reviewing that week, I was ready to jack in my ticket. But then, friends and family started raving about having heard them on the radio, so I thought I might as well tag along and see who was right - me, or four of my nearest and dearest.

Reader, I loved them so much, I bought the T-shirt. Literally. Got it signed on the back as well. Having spoken to the mum of another participant in the BBC Three showcase (I am now of an age where I don’t know the bright young things, but I do know their parents), it appears that Frisky and Mannish weren’t the only act who struggled to wow as they should without the bangs and whizzes of their own production arena.

That’s not to say that this comedic musical duo are nothing without their effects buttons, as Frisky & Mannish - aka Oxford University graduates Laura Corcoran and Matthew Floyd Jones  - are seriously talented singers and performers. It is surprising to learn after the show that neither have much formal training in the performing arts arena. Corcoran in particular is a virtuoso vocalist who can switch her powerful voice between pastiches of Madonna (in her many incarnations), Adele and Ellie Golding  among others, with graceful ease.

The Popcentre Plus concept of the Frisky and Mannish show was a workshop for would-be popstars, with education - the “revelations” that Rhianna’s Rude Boy was written by the Bee Gees and that Florence & the Machine’s songs are recycled late 90s pop; enlightenment - that any song can fit the grime genre (think N-Dubz), even The Carpenters’ On Top Of The World; and dire warnings of “Good Girl[s] Gone Bad”, those teeny boppers who grow up to find their sexy side.

There was great fun to be had in the audience participation as we were divided into the Elvis Presleys (singers), Britneys (dancers), Razorlights (great hair), Biebers (no discernible talent) and Greg (so fabulous, only one name needed). This culminated in the formation of a new boyband on stage, given the moniker The Other Direction, and obliged to perform a Take That standard to the best of their abilities.

Even the song that had been my BBC Three bugbear - a version of Girls Aloud’s Sound of the Underground, with lyrics changed to the words of nursery rhymes (“the wheels on the bus go round and round”) worked fabulously in the context of the show. With their performance of their Kate Bush/ Kate Nash mash-up during the Fringe coverage leading me to comment “that would have been so funny five years ago”, I was concerned that with the fast pace of pop music, some of their act would have already dated. As it turns out, it was me who couldn’t always keep up with them; having to check with my younger sister who a certain song belonged to (it was Jessie J) proved that.

With their fingers on the musical pulse of the moment, Frisky and Mannish turn the glitzy world of throwaway pop into something to be cherished through pastiche, satire, and lots of laughs. They have already sold out their two dates at Reading’s South Street later this month, but there are still a very few tickets left for Swindon Arts Centre on December 20. And remember - if you have great hair, you too can be a chart topper. Just ask the boys from Razorlight.


  • First published in Newbury Weekly News on Thursday, October 13, 2011