Wild thing - review of Michaela Strachan's Really Wild Adventures

Michaela Strachan’s Really Wild Adventures, at The Haymarket, Basingstoke, on Saturday, April 6

THE DADS of Hampshire must be big fans of poetry, because I observed far more of them in the audience than turn out for most family shows. And they were so devoted to their children as well; queuing patiently to allow them to meet the lovely Michaela Strachan after the show. A truly heartwarming sight.

I am being a bit cheeky there, of course - Strachan has a place in the hearts of many (both men and women) who grew up in the 80s when she was a presenter on Children’s BBC’s Really Wild Show, as well as the cult late night ITV clubbing show The Hitman And Her. I must admit that I was pretty excited to meet Strachan myself - she was central in developing my fondness for earrings at a tender age; as I told her baffled young niece when I discovered that I was sat next to her during the show.

...Really Wild Adventures is based on Strachan’s book of poems of the same name, which in turn are inspired by her own experiences encountering wildlife in all parts of the world for various nature programmes - she will soon be back on our screens presenting BBC’s Springwatch. This was no gentle poetry corner-style performance though; Strachan’s stage show was full of fun, music, audience participation and even acrobatics, as she hung upside down in gravity boots to recite her poem about Wrapped Up Bats.

Strachan’s poems are not just full of facts, but also reflect the emotions drawn from encounters that have genuinely touched her, such as meeting orphaned elephants, rhinos and orangutans; and the thrills of removing a tooth from a polar bear and getting really close to her beloved African penguins on the coast of South Africa, where she now lives.

Her enthusiasm for the natural world was displayed with affection and joy, and although the show was aimed at ages three to 10 (and, I would suggest, more appealing to the younger end of that span), the parents were sparked by her enthusiasm as well - although, oddly, not enough for many of the dads present to volunteer to come on stage to imitate animal noises or play the part of a spitting cobra or an anesthetised polar bear. Luckily, Strachan’s mum was present, and proved herself to be as good a sport as her daughter, who bounced around with as much life-affirming enthusiasm as she did on the telly back when we were young.

• First published in the Newbury Weekly News on Thursday, April 11, 2013

Packham in - review of Chris Packham

Chris Packham Goes Totally Wild at The Corn Exchange, Newbury on Monday, November 19, 2012

HE may have a rather worrying fondness for poo, but naturalist Chris Packham has a passion for wildlife, a talent for photography and a way of conveying his love and knowledge of nature with infectious enthusiasm.

Packham’s touring show focusses on a collection of his latest photographic images: some taken in the most stunning of environments, such as Antarctica and the South American rainforest; others in his own garden and nearby countryside in Hampshire. 

Even these aren’t exactly the easiest of images to capture though - in a bid to transform common British birds into ornithological pinups, he set up various contraptions and scenery  to capture them at their most stunning - using a garden hose to create “rain”, breaking a hole in a glass sheet and training a blue tit to poke its head through by tempting it with peanuts.

And his attempts to capture starlings at their most stunning end in frustration time and again - “this would be a fabulous picture if it wasn’t for that bird’s wing getting in the way...”.

Packham isn’t a proponent of getting back to nature in all its most basic forms: “Why would anyone want to camp in the New Forest? There are some lovely B&Bs...”, and his stories of the various discomforts of communal living while on location with various scientists, naturalists and film crew; none of which seem to be as fussy as him about keeping things civilised, kept the stories lively.

Saying that, Packham isn’t adverse to putting himself through some discomfort in a bid to pull off the perfect shot; as demonstrated by his five-day shoot immersed in chilly water, photographing damselflies - “I would like to have taken longer over it, but I had other work commitments”. The resulting images were breathtakingly stunning, and combined well with some pretty interesting observations about damselfly behaviour, partly gleaned through the “friendship” Packham formed with one particular male during his stakeout.

Packham confessed that he was a perfectionist who was critical of his own photographs and would never be truly satisfied with any single image; being particularly obsessed with the search for symmetry. He admitted that occasionally he has resorted to digital trickery to help nature along a little - such as in a stunning photograph of a pure-white snow petrel flying past a swag of icicles in Antarctica - and he is quite happy to encourage creatures to perch exactly where he wants them in order to get the best focus, angle and background.

But of course, nothing in nature can be dictated to, and it is clearly this element of uncertainty that provides the challenge that Packham so relishes. I rather hope that he never takes his perfect photograph - it would be a pity if he then gave up the quest.

• First published in the Newbury Weekly News on November 29, 2012

Really Wild - interview with Chris Packham

WITH Autumnwatch wrapped up for another year, and the rest of the BBC Natural History Unit preparing for hibernation, the whirlwind of naturalist energy that is CHRIS PACKHAM is Totally Wild out on tour. CATRIONA REEVES tracked him down walking his dogs, to discover more about this rare and exotic creature.

CATRIONA REEVES: A week after Autumnwatch is off our screens, and you’re on a live theatre tour. Didn’t you fancy a bit of a rest first?

CHRIS PACKHAM: I don’t stop working - you’ve only got one life, and I plan to sleep when I’m dead and eat just before. 

The theatre show is a talk about various species I have encountered and experiences I have had, all illustrated with photos I have taken in various parts of the world; exotic species from pole to pole, from Antarctica to the rainforests, and some in my garden, and within 20 minutes of my house in Hampshire.

Ultimately, when it comes to photography, the best subjects are on your doorstep. I enjoy stretching myself to take the most imaginative pictures possible in my back garden.

The New Forest is where my heart is; it’s where I grew up and where I am most comfortable in the environment. I enjoy exploring but I am made of this place. It’s where I foraged as a kid and learnt my trade as a naturalist.

CR: What started your love of nature as a child, aside from the local countryside?

CP: When I was young, I was given a set of Brooke Bond tea cards featuring tropical birds that my grandmother had collected, and it became a great source of inspiration and longing to see al the weird and wonderful birds featured on the cards.

If we want to continue to ignite this sort of passion young people we need to get them out into the  countryside to see it, smell it and touch it. Kids these days are not allowed to fall out of trees or make camps for fear of what might happen to them. We’ve turned the countryside into a dark, dangerous place, where kids are extinct.

There’s an element of risk involved in everything we do, and if we don’t let them explore, it’s going to have a massive negative impact in the future.  If you really don’t feel you can let your kids out on their own, then get out into the countryside with them, and discover it together.

CR: Do you already see that restriction on freedom to explore impacting on the next generation of naturalists?

CP: I’ve met naturalists who’ve been to university but can’t identify every British butterfly or common bird species . Universities have to run identification courses to teach their students the basics. It’s terribly sad, but it’s not their fault - it’s their parents’ fault.

As we speak, I can hear a blackbird chattering - I happen to know that there’s a tawny owl round here, so that’s probably what’s disturbing the blackbird. I got that knowledge because of spending so much time out here. There’s so much that you can’t learn in the library or on the internet. Skills and knowledge will die off.

CR: You have been at the forefront of the current campaign to prevent the proposed badger cull in order to prevent the spread of TB in cattle - are you relieved that plans have been put on hold?

CP: In my heart, I hope that this is a way of easing us into another u-turn, and the cull will never happen - if it isn’t, I will pick up the baton again, and continue to campaign against it.

If the cull was going to work, I would grit my teeth and let them get on with it, because we need to support our farmers and agriculture. But science shows that it won’t work.

We need to focus on finding a vaccine for the cattle that works, and allow vaccinated produce to be sold. We should have been doing that for the last 20 years. But instead, to do something wholly destructive to British wildlife that won’t even stop TB in cattle is absurd. If the cull goes ahead, it will be a triumph of ignorance.

CR: Are you concerned about the ash tree dieback that’s currently killing ash trees across   Europe, and has now spread to the UK?

CP: I think we will lose ash trees to the disease, just as we lost the elm trees a few decades ago, because the fungus that’s destroying them knows what it’s doing. But nature is dynamic, and there will be winners as well as losers - woodpeckers and wood burrowing beetles will have a bonanza for a few years. And as long as the dying trees are allowed to rot - which takes about 50 years - rather than cut down and burnt, they will provide a great ecological advantage to the environment.

It’s very sad that we will lose such characterful trees, but nature is a constant and active struggle.

CR: Oh dear, this is all getting a bit gloomy - can we end this interview on a cheery note?

CP: One of the things I’ll be talking about in the show is my trip to Brazil last year to make a video for Velvet, the toilet tissue manufacturer, which has a ‘Three Trees Promise' to plant three trees for every one that it uses. Two of the trees are planted in Scandinavia, where they harvest, but in the third one is planted in Brazil, where they are working with the government to  replenish huge areas of rainforest.

The scale of it is amazing - three million trees planted in one place.It’s a great piece of corporate co-operation with conservation. Much as I feel that I have a duty to comment when things are going wrong, I also like to show that we do have the ability to put things right.

• First published on Newburytoday (www.newburytoday.co.uk), November 2012