Tea towels and dogma - interview with James Studholme from Police Dog Hogan

“MIDDLE aged man band” Police Dog Hogan enjoyed their Arlington Arts gig so much last year that they’ve been persuaded back to Newbury for a more intimate date at ACE Space on April 26. Frontman JAMES STUDHOLME tells CATRIONA REEVES why 

CATRIONA REEVES: There’s quite a lot of musicians in Police Dog Hogan; I hope you realise that you’re going to be a bit crushed on the ACE Space stage!

JAMES STUDHOLME: We’ve recently pared down to a six piece because our guitarist has moved away - but anyone who plays with us is a Police Dog in perpetuity, just not currently on active service. Sometimes we bring a guest trumpeter along, but maybe we’ll leave him at home for this gig!

When my friend, the DJ Johnny Walker, heard that we were starting up as a seven-piece, he said “you’ll never make any money”. But the more people there are in the band, the more fun there is to be had.

CR: I’ve heard that the band runs to a set of rules known as “Police Dogma”: what do these involve?

JS: They were based on the rules of bluegrass - mainly that we don’t involve any instruments that you can’t carry to a microphone. The original idea was that we would play around one microphone, but we quickly realised that wasn’t practical. It’s different in America, where musicians grow up with that way of doing things and are highly skilled at it, but we soon converted to a more conventional set up.

We’re still basically trying to stick to the bluegrass soundscape - we still haven’t involved a piano in the band - but the pure bluegrass style is quite restrictive, and of course we’re English, so we haven’t applied the rules religiously.

I guess that we’ve broken our own rules to get to a more interesting place. We’re probably more in the folk than the rock world, but there’s no real road map. We’ve been called “urban bluegrass”, “townbilly” and “Anglicana”, but I think our banjo player Tim coined it best with “middle aged man band”.

Our pop heritage is Slade, T. Rex, punk and The Smiths, and that’s all in our music, along with the country music thread. But we don’t want to be singing about highways and truck stops - our songs are about the A39 and Knutsford Services. 

CR: You’ve all got successful day jobs [Studholme heads up film company Blink Productions, responsible for Cadbury’s drumming gorilla and two of John Lewis’ Christmas ads] - but do you harbour dreams of jacking it all in to be full-time rock stars?

JS: Rock and roll stardom is every schoolboy’s fantasy, and we were all musicians in a previous life before we made our livings. Where we are now is a really nice spot - It’s basically a supercharged hobby; I guess the term is “semi pro”. We are now being offered more gigs than we can do in a year, and it’s nice to be able to pick and choose.

The big thing that we’re in this for is the songwriting and recording, and the success of the live shows is an unexpected surprise. When we tour, we realise that people are coming to see us who don’t know us personally, which is great. 

Like all bands, we started with a few friends and family members coming along and shuffling a leg. I think it was a relief for them when we started to get a following of our own; it meant that they didn’t have to come along to every gig!

CR: Your big selling merchandise item is a tea towel featuring the faces of band members. I hope that you’re bringing a load to ACE Space; I think they’ll sell rather well to the regulars.

JS: The tea towels seem to have developed a following of their own. They are sensational quality - larger than most, and very absorbent. People buy one, then come back for more! We’re still fractionally ahead in record sales, but I can see a day coming when the tea towels take over.

Fortunately we’re recording a new album in May, so our Newbury gig is part of a little run of dates to give us a chance to play the new songs before we go into the studio. So, hopefully, we should be able to keep the music just ahead of the tea towels, in terms of popularity.

CR: Police Dog Hogan’s banjo player is The Guardian’s weekend columnist Tim Dowling. Do a lot of readers come along to check out the band?

JS: Tim’s column is predicated on everything in his life being awkward and going wrong, so when he mentions the band it tends to involve humiliating disasters. Certainly in the first 18 months I can’t imagine that anyone reading about us in his column would have been tempted to see us live!

Luckily we started to get quite favourable internet noise, and it seemed that last year quite a lot of people were coming to check out if Tim could play. He’s actually a very talented musician, and I like to think that we’ve converted a lot of his followers to our cause.

CR: Is being in Police Dog Hogan as much fun as it sounds?

JS: It certainly is. The band is built on longstanding friendships - some of them up to 35 years - and all the shared memories and feelings that come with that. It makes the songwriting process an absolute joy. We’re looking forward to the ACE Space gig. It should be a riotous evening.

* Police Dog Hogan play at ACE Space on Saturday, April 26, supported by The Pottingshed Band. Tickets cost £12 from Hogan Music [no relation to the band] or £14 on the door. Tea towels should be available on the night.

* First published in the Newbury Weekly News in March 2014

You've got male - an interview (of sorts) with Stewart Francis

Last autumn, I was asked if I would like to do an email interview with comedian Stewart Francis, ahead of his tour. For some reason, I never got round to knocking it into a publishable format for the Newbury Weekly News, so here it is in a semi-publishable format instead.  

Catriona Reeves: How would you persuade people to come and see your live show and what can people expect?

Stewart Francis: I would persuade people to go by telling them that Michael McIntyre was performing. They can expect to see me performing.

CR: You're a native Canadian - what do you miss about your homeland, and what do you like about living in the UK?

SF: I miss having my inhaler. I like the number of asthma clinics the UK has. 

CR: Have you always been a one-liner comedian, or have you tried other types of stand-up?

SF: Yes, no.

CR: Do you have any special tips or tricks for committing your jokes to memory for your live shows?

SF: Not really, I've just always had a great memory. I probably get that from my ah, um...  

CR: You often pop up on the telly - do you enjoy doing the panel shows?

SF: I don't enjoy doing panel shows because the other comedians always interrupt me which I find (SORRY TO INTERRUPT EVERYONE, DARA O BRIAIN HERE, JUST LETTING YOU KNOW THAT TICKETS FOR MY TOUR CRAIC DEALER ARE AVAILABLE AT TICKETMASTER.CO.UK) irritating.

CR: Which are your all-time favourite jokes (yours, or other peoples)?

SF: I'm not a fan of my jokes but one of my all-time favourite's would have to be Tommy Cooper's: " I was cleaning up the attic last week for the wife... filthy dirty, covered in cobwebs...

...But she's good with the kids".

CR: Anything else that you think the readers of the Newbury Weekly News should know about you?

SF: They should know that I look forward to both of them being at the Reading show.

The tour that Stewart was promoting has now long gone, but luckily he's back on the road this autumn with The Lumberjacks - aka himself and fellow Canadians Craig Campbell and Glenn Wool. It doesn't look like he's coming to Reading.

Lemon-aid - interview with Katherine Ryan

FINDING the sweet centre in life’s bitterest moments, Canadian comedian KATHERINE RYAN has embarked her first solo tour. She tells CATRIONA REEVES why it’s better to be a smiler than a winger.

CATRIONA REEVES: You’re on telly quite a bit - both on comedy panel shows and as an actress - how are you feeling about going it alone on tour? 

KATHERINE RYAN: I’ve opened for others on tour in the past, including [fellow Canadian] Stewart Francis, and have done two Edinburgh shows of my own. For this tour, I’ve taken the best bits of my Edinburgh shows and added some new material. This definitely feels different - I’m a bit nervous, but really excited.

I’ve been really lucky with the telly stuff. The heart of stand-up comedy is on the road, but TV gets people to come to your shows. I used to do shows where six people turned up, and live comedy does need an audience.

CR: How would you describe your comedy?

KR: My material is a bit quirky - I see myself as a bit of a misfit, and other misfits seem to commiserate with me. I’ve been asked if what I do is as a character, because I come across as a big sunshiny person on stage, but really it’s just an amplification of who I am now.

My comedy voice has got stronger as I’ve got older, and now I’m super comfortable with who I am. I’ve been in the UK for five years, and I’m a mum now, and that’s all added to who I am on stage.

Earlier on in my career, I’d go to auditions for TV panel shows and look around the room, and everyone would seem very different from me. I tried to adapt, to be more like them, but what I really needed to be doing was to be myself.

As I’ve grown more confident with that, I’ve been more successful, and now I notice the different when I watch old videos of my performance - it’s the same voice, but not as strong.

CR: How do you find being a female comic on the male-dominated stand up circuit?

The TV shows are probably an accurate representation of the circuit, where the ratio of male to female stand-ups is about 10 to one, although that is changing. The film Bridesmaids seems to have had an impact, and more younger girls are emerging. 

There’s lots of female comedy role models already out there though - Miranda Hart, Jo Brand, and the writer Caitlin Moran - it’s not just about one type of comedy. It’s all about finding your own voice.

CR: What inspired you to become a stand-up comedian?

KR: I actually studied urban planning at university, but when I moved to Toronto, which is like the London of Canada, I knew that I wanted to work in entertainment. I tried presenting, and a bit of acting, but I didn’t feel like I fitted in. I like the power and control that being a stand-up gives me. I get  to write my own material, hopefully saying something with a bit of purpose and making people think.

I’ve never been very good at working in groups; I like that as a stand-up, I’m entirely responsible for what I do.

CR: You say that your show, Nature’s Candy, aims to find the delicious and hilarious side to life’s blacker moments. You seem so cheery - has anything ever threatened to bring you down?

KR: I’ve been through a lot in the last couple of years; I split up with my daughter’s father and  it wasn’t an amicable split - it was nasty. I’ve had health issues; and I’m a single mum in a foreign country. But I’m not a winger, and I like to find the positive in things, so the show basically celebrates that.

I’m a big fan of pop culture, so there’s a lot of that in there - Hollywood relationships and gossip magazine stuff. I like to laugh at it, but not in a mean way.

My comedy has been described as having dark edges, and that seems about right to me. I think it’s possible to find reasons to smile, but still have bite.

• First published in the Newbury Weekly News on February 7, 2013

Really Wild - interview with Chris Packham

WITH Autumnwatch wrapped up for another year, and the rest of the BBC Natural History Unit preparing for hibernation, the whirlwind of naturalist energy that is CHRIS PACKHAM is Totally Wild out on tour. CATRIONA REEVES tracked him down walking his dogs, to discover more about this rare and exotic creature.

CATRIONA REEVES: A week after Autumnwatch is off our screens, and you’re on a live theatre tour. Didn’t you fancy a bit of a rest first?

CHRIS PACKHAM: I don’t stop working - you’ve only got one life, and I plan to sleep when I’m dead and eat just before. 

The theatre show is a talk about various species I have encountered and experiences I have had, all illustrated with photos I have taken in various parts of the world; exotic species from pole to pole, from Antarctica to the rainforests, and some in my garden, and within 20 minutes of my house in Hampshire.

Ultimately, when it comes to photography, the best subjects are on your doorstep. I enjoy stretching myself to take the most imaginative pictures possible in my back garden.

The New Forest is where my heart is; it’s where I grew up and where I am most comfortable in the environment. I enjoy exploring but I am made of this place. It’s where I foraged as a kid and learnt my trade as a naturalist.

CR: What started your love of nature as a child, aside from the local countryside?

CP: When I was young, I was given a set of Brooke Bond tea cards featuring tropical birds that my grandmother had collected, and it became a great source of inspiration and longing to see al the weird and wonderful birds featured on the cards.

If we want to continue to ignite this sort of passion young people we need to get them out into the  countryside to see it, smell it and touch it. Kids these days are not allowed to fall out of trees or make camps for fear of what might happen to them. We’ve turned the countryside into a dark, dangerous place, where kids are extinct.

There’s an element of risk involved in everything we do, and if we don’t let them explore, it’s going to have a massive negative impact in the future.  If you really don’t feel you can let your kids out on their own, then get out into the countryside with them, and discover it together.

CR: Do you already see that restriction on freedom to explore impacting on the next generation of naturalists?

CP: I’ve met naturalists who’ve been to university but can’t identify every British butterfly or common bird species . Universities have to run identification courses to teach their students the basics. It’s terribly sad, but it’s not their fault - it’s their parents’ fault.

As we speak, I can hear a blackbird chattering - I happen to know that there’s a tawny owl round here, so that’s probably what’s disturbing the blackbird. I got that knowledge because of spending so much time out here. There’s so much that you can’t learn in the library or on the internet. Skills and knowledge will die off.

CR: You have been at the forefront of the current campaign to prevent the proposed badger cull in order to prevent the spread of TB in cattle - are you relieved that plans have been put on hold?

CP: In my heart, I hope that this is a way of easing us into another u-turn, and the cull will never happen - if it isn’t, I will pick up the baton again, and continue to campaign against it.

If the cull was going to work, I would grit my teeth and let them get on with it, because we need to support our farmers and agriculture. But science shows that it won’t work.

We need to focus on finding a vaccine for the cattle that works, and allow vaccinated produce to be sold. We should have been doing that for the last 20 years. But instead, to do something wholly destructive to British wildlife that won’t even stop TB in cattle is absurd. If the cull goes ahead, it will be a triumph of ignorance.

CR: Are you concerned about the ash tree dieback that’s currently killing ash trees across   Europe, and has now spread to the UK?

CP: I think we will lose ash trees to the disease, just as we lost the elm trees a few decades ago, because the fungus that’s destroying them knows what it’s doing. But nature is dynamic, and there will be winners as well as losers - woodpeckers and wood burrowing beetles will have a bonanza for a few years. And as long as the dying trees are allowed to rot - which takes about 50 years - rather than cut down and burnt, they will provide a great ecological advantage to the environment.

It’s very sad that we will lose such characterful trees, but nature is a constant and active struggle.

CR: Oh dear, this is all getting a bit gloomy - can we end this interview on a cheery note?

CP: One of the things I’ll be talking about in the show is my trip to Brazil last year to make a video for Velvet, the toilet tissue manufacturer, which has a ‘Three Trees Promise' to plant three trees for every one that it uses. Two of the trees are planted in Scandinavia, where they harvest, but in the third one is planted in Brazil, where they are working with the government to  replenish huge areas of rainforest.

The scale of it is amazing - three million trees planted in one place.It’s a great piece of corporate co-operation with conservation. Much as I feel that I have a duty to comment when things are going wrong, I also like to show that we do have the ability to put things right.

• First published on Newburytoday (www.newburytoday.co.uk), November 2012

Hard at it - interview with Adam Kotz from Case Hardin

AN acclaimed British alt country band with extensive local roots, Case Hardin are playing ACE Space in Newbury on Friday, July 20. CATRIONA REEVES spoke to band member, Newbury resident, actor, musician and ACE Space chairman ADAM KOTZ about the band and his many other hats.

CATRIONA REEVES: Case Hardin are definitely making waves on the alt country scene, with your latest album Every Dirty Mirror receiving excellent reviews and national BBC radio airplay. How would you describe the band’s sound?

ADAM KOTZ: The band was formed by Pete Gow - who until recently lived in Thatcham - who writes songs that echo the best of the American alt country scene, and artists like Springsteen and Steve Earle, but mixes it all up with a highly original British take.

We’ve played in the current line-up [Pete, Adam, Tim Emery, Andy Bastow and Jim Maving] for more than three years now, and we seem to able to take on different styles from stomping rock to ballads and story songs - as we hope the album shows.

CR: Pete’s job as a TV journalist has taken him to war zones in Iraq and Libya in recent years. Do his songs relate to these experiences?

AK: Some do directly, others more obliquely; but he also writes beautifully about lost love and hard drinking.

CR: What is your role in the band?

AK: Well, I weave my mandolin and banjo through the tunes, as well as singing backing and some lead vocals.

CR: Have you always combined being an actor with making music?

AK: Not always. I’ve played on and off in bands in between acting jobs but it’s particularly great when the two combine. For example, I started playing mandolin while playing the music teacher in The Prime of Miss Jean Brodie at the National Theatre in the ’90s. I’ve sung and rocked my way through a fair few theatre and TV shows as well, and written music as well – I even wrote a TV theme song back in the ’80s! My first job was the TV play Oi For England, about a skinhead band.

CR: You’ve done a lot of screen work, haven’t you?

AK: I’ve done a lot of theatre too, particularly at the National and with Cheek By Jowl, and I’d love to do more, I miss it, but it’s harder to fit in with family life.

The most well known films are probably The Last King of Scotland [he played Gillian Anderson’s husband - or, as Adam puts it, “I think you’ll find she played my wife”] and Peter Greenaway’s Nightwatching, and, yes, I’ve done quite a bit of TV too.

As it happens, I’ve just finished being in Henry IV Pt 2 in the new BBC Shakespeare Hollow Crown season  - that was great, swords, horses and lots of shouting. I play Lord Hastings, a rebel who gets his comeuppance.

That was followed by a lovely one-off play for CBBC and a spy drama for Channel 4, so the variety continues.

CR: I’ve noticed that if you turn up in a murder mystery, it inevitably means that you will turn out to be the murderer or a victim - or, on one occasion, both...

AK: Sometimes I am a bright red herring, and I have had my moments as a law enforcer. In Touching Evil I kicked in doors and arrested people - at least until I went off the rails and killed a few people. OK, you may have a point!

CR: So where does ACE Space fit in to all this?

AK: I knew the old RAFA Hall in St Nicholas Road from hiring it myself, and found out it was going to close down. Luckily, the idea to save it drew in a terrific bunch of local volunteers, and we’ve improved it and kept it running as part-village hall, part-arts workshop ever since. We have had great backing from Greenham Common Trust, and donations along the way from Sovereign, MicroFocus, Newbury Town and West Berkshire councils among others.

Especially, we have had amazing support from the many local people who hire the place, come to our events and tell us they like what we are doing. Have a look at www.acespacenewbury.com – we are always happy to welcome new people.

CR: Who else is involved in the gig?

AK: We’ve got support from Des Simmons and the Hired Hands. Des is a great local musician with a great band. Sticks and Strings’ Rick Green is opening the show, and is also well known in these parts. All of us play original music with real heart.

For ACE Space, it is the last event before our summer lay-off after a busy year so we hope people will come to help us celebrate that and enjoy a great night of live music.

Ticket for Case Hardin at ACE Space on Friday, July 20, are £5 in advance (£6 on the door) from Hogan Music in Craven Road and Jacqui’s in Blenheim Road, or call 07905 590 214 to reserve. Doors open at 7.30pm.

• First published in Newbury Weekly News on Thursday, July 12, 2012

Fingers of fun - interview with Stuart MacLeod (magicians Barry & Stuart)

SPRIGHTLY Scottish magicians Barry & Stuart, the hosts of the BBC show The Magicians, are returning to Newbury for a date at The Corn Exchange during Newbury Comedy Festival, with a show that would probably get them kicked out of the Magic Circle... if they were members.

STUART MACLEOD explained to CATRIONA REEVES why they are breaking down the fourth wall and letting the audience peek behind their brand of dark and gory magic.

CATRIONA REEVES: You’re bringing your Show & Tell to Newbury Comedy Festival - what’s the idea behind it?

STUART MACLEOD: In the first half of the show, we perform a variety of our favourite tricks and some new ones that we’ve been working on over the past year. Then, after the interval, we reveal exactly how we’ve done each trick. The audience have a choice to stay, or leave if they don’t want to know the secrets behind it.

CR: Have many audience members chosen not to stay for the second half?

SM: We don’t think there’s been many, but we have had comments from various house managers that a few people have left, saying that they’ve enjoyed what they’ve seen, but they don’t want to have the mystery spoilt. There’s often a childlike wonder and astonishment about magic, and not everyone wants to lose that.

It was a brave, and probably stupid decision to go ahead with the show, and it was a tough one to write, but how magic works is fascinating, and we wanted to let people in on the secret.

CR: How is the show going down with other magicians?

SM: A lot are really annoyed - many think that the secrets shouldn’t be revealed, so we’ve had a lot of emails. The Magic Circle has a rule that the secrets of magic shouldn’t be revealed, but we’re not members, so they can’t kick us out.

CR: Does doing the show this way present more challenges than usual?

SM: Actually, it means that if something goes wrong with a trick and we have to improvise, it means that in the second half we can explain what happened and how we dealt with it.

The hardest thing was deciding what tricks to include. There are some really great tricks in there, such as turning water into wine. It took us six years to come up with that, and we performed it on television in front of 6m people, so we were a bit reluctant to give that secret away.

On the other hand, the first half ends with an excellent new trick which we’re really pleased with, and again we had a dilemma about revealing that one.

Basically, we came up with a set of rules that we wanted to genuinely show exactly what was going on, and then there was a lot of cajoling of each other to put a really good range of stuff in there.

CR: It sounds like you should be writing a book on the back of this...

SM: There’s a lot of stuff in the show involving mobile phones and suchlike, so we’ve decided that it would work better on the internet than in the book, so we’re currently working on a website, which is where this should all end up.

We’re also working on a couple of TV  pilots at the moment - we’re not going to Edinburgh this year, because we’re devoting time to them.

CR: You and Barry (Jones) are rather like the Ant & Dec of the magic world - do you think you’ll ever work separately, or are you better together?

SM: We’ve been working together for just over 10 years, and we’ve discovered that there’s something about our writing process that means we need each other. We’re two cogs in a wheel that work best together, and we spark off each other. I don’t think we’ll ever work apart.

• First published in Newbury Weekly News on Thursday, July 5, 2012

The Suttie show: interview with Isy Suttie

LOVEABLE comedian Isy Suttie is on tour with a heartwarming show about internet romance and real-life dating disasters. Catriona Reeves spoke to her while on route from Birmingham to Berwick-Upon-Tweed.

CATRIONA REEVES: You’re currently on tour with a show called Pearl And Dave. Are you preparing for the Edinburgh Fringe?

ISY SUTTIE: This is actually the show I did at the Fringe last year, and also on Radio 4. I can’t do Edinburgh this year because I’ll be filming the next series of Peep Show over the summer. It’s actually nice to give my brain a bit of a break - if I had been developing a new show, I would have had to start thinking about it around Christmas.

CR: I thought Peep Show [Suttie plays quirky geek Dobby in the Channel 4 sitcom] had ended!

IS: We had a break from it last year so it hasn’t been on since 2010, but two more series have been commissioned. I’m really looking forward to going back to it. Everyone involved in it feels like family, and David [Mitchell] and Rob [Webb, who play the central characters] are a real laugh.

I’m lucky that I’ve ended up being able to do a mix of things; Peep Show, the touring, and I’m working on a sitcom pilot. I can’t imagine just doing the one thing. Touring as a stand-up can be a bit lonely, although it is a nice feeling that you’ve done it all yourself. 

Luckily I’ve got a support act with me on this tour - Chris Neill, who is in the car with me right now. We’re on our way from Birmingham to Berwick-upon-Tweed. We didn’t realise how far it was until we set off. It’s about a six hour drive!

CR: So tell me about the show Pearl And Dave...

IS: It’s the story of a couple who met at Butlins, then get in contact through Facebook many years later. I perform their emails to each other as songs. Then there’s stuff about my own love life over the years mixed in.

I’ve always performed songs in my shows; I can’t imagine doing something without music, as I’ve been songwriting since I was 11. But it’s taken a long time to get comfortable with a show format where I can fit everything together. Now I’ve found that having a narrative and singing in character really works best for me. It’s a bit more theatrical than what people might have previously seen me do.

CR: Are you planning to take the show further afield?

IS: I’d like to take it to Australia next year. I’ve performed in Australia before, and they’re very comedy savvy over there, so they’re happy to embrace something that’s a bit idiosyncratic. Generally though, I’m not that fussed about travelling. I like to go home to my own bed wherever possible - I’ll be able to do that after the Basingstoke gig.

CR: You seem like such a warm person; do you tend to attract a nice audience?

IS: My audiences are lovely. When Chris and I turned up at the Birmingham venue last night, we got a bit worried because it seemed to be full of rowdy hen parties, but then we found that we were performing in a different room, and there was my audience, with their anoraks and flasks. I was very relieved.

Isy Suttie brings her show, Pearl And Dave, to The Forge at The Anvil, Basingstoke on Wednesday, June 6. Anoraks and flasks are welcome.

• First published in Newbury Weekly News on Thursday, May 24, 2012

One Yank and they're off - interview with Doug Stanhope

 - 

DUBBED “the Voice of America” by Charlie Brooker, Doug Stanhope is a graduate of the US stand-up comedy school of hard living- outspoken, outrageous, rarely with alcohol out of his system, and often outside, having a smoke. He’s mostly rather polite in real life though, as Catriona Reeves discovered, when she rang him on his tour bus - but don’t tell. We wouldn’t want to blow his cover.

Catriona Reeves: You're currently about half way through a 38-date UK tour - how is it going?

Doug Stanhope: I’m doing well so far - only one or two major hangovers. Stoke-on-Trent was the worst one - I had some friends come to see me and stay over at the hotel. I don’t think we’ll be allowed back in that hotel.

CR: Wow, I had no idea there was so much fun to be had in Stoke.

DS: I’ve been to 15 different countries, and they all look like the inside of a bar. As long as there’s a bar, I’m happy anywhere.

CR: So are you receiving a warm welcome from UK audiences?

DS: British audiences are scary. In America, audiences are over the top and easily amused; over here they tend to be smarter and more controlled. You have to work a lot harder over here. Luckily, the Brits tend to be cynical and cranky like me, so we get on just fine.

CR: And what exactly should your cynical and cranky audiences expect from your show?

DS: I have no idea. It usually involves whatever’s been irritating me that day. I can always find something to irritate me. I switch it around every few days, but it’s always going to be the same angry, drunken, caustic, blow-hard nonsense that it’s been for the last 21 years.

There will certainly be something about Allison Pearson and the Twitter war we’ve been having [Allison Pearson is a Daily Telegraph columnist stood on the other side of political fence to Stanhope in regards to assisted suicide]. She is fully aware that I’m not going to drop it. It keeps me fired up.

CR: You certainly don’t shy away from tackling controversial issues. Do you think that you’ve got something important to say, or are you just having fun?

DS: Sometimes I’ve got something to say, but sometimes it’s just graphic smut. There’s always plenty of smut to laugh about; I don’t have to force myself too hard to find it.

CR: So, overall, you’re enjoying the tour...?

DS: I have no idea where we’re going, but usually when I come to the UK I’m stuck in Leicester Square, losing the will to live, so it’s great to see the country. We’ve been to some beautiful places - Bournemouth is stunning - but we’ve still got some s**t holes to visit, like Leeds and Liverpool.

CR: But Liverpool is the birthplace of the Beatles!

DS: I know. Henry Phillips who’s touring with me as my support, he’s a musical comedian, so he wants to do the Magical Mystery Tour, but I couldn’t give a monkeys. I wouldn’t say hello to Sir Paul if he was stood in my way when I’m going outside for a smoke.

Not that I’ve got anything against The Beatles, but I’m more interested in having a smoke.

Doug Stanhope can be found smoking outside the stage door at The Anvil, Basingstoke on Friday, April 13, and the Concert Hall, Reading on Wednesday, April 18. Paul McCartney is unlikely to attend.

• First published in the Newbury Weekly News on Thursday, March 29, 2012

Good Enough for a comeback - interview with Math Priest from Dodgy

The purveyors of the finest British pop Dodgy are back in their original line-up and preparing to brighten up January for the good people of West Berkshire with a date at Arlington Arts. CATRIONA REEVES is rather excited as she interviews Dodgy’s drummer MATHEW PRIEST 

AH, the 90s. Happy days. Life was easy back then. Summers were longer (for those of us at uni), alcohol didn’t give you hangovers (honest, kids), and no one made any effort whatsoever with their hair. And the airwaves were full of shimmery, summery guitar pop sounds all year round, with the toppermost of the poppermost being Dodgy, a trio of cheeky chappies from the Midlands who delighted (and maybe occasionally slightly grated - not everyone is a fan of their biggest hit, Good Enough) with the cheeriest sounds around, including Staying Out For The Summer, In A Room and If You’re Thinking Of Me (OK, that one wasn’t so cheery).

But before those of you too young to remember Dodgy are thinking “must have been a boyband”; the band comprised three strong musicians, songwriters and harmonising singers with an inspiration that meant their reformation in their original line-up around 2008 after nine years without frontman Nigel Clark was more than just about getting back on the road to revive their greatest hits. And so a new album has been written; the sound of  a band older and wiser, but still with that distinctively shimmering Dodgy vibe, and the band’s current live dates include a showcase of the whole album (due for release in January) before a second set of old favourites.

“The idea of playing an album live in its entirety has been around for a few years now, but doing it before its release is unusual,” explains drummer Math Priest, whose effervescent presence was once a regular fixture on TV pop quiz show Never Mind The Buzzcocks (I am currently campaigning for his return). “However, Paul Weller is now doing it, so it must be a good idea. Nowadays, the shelf life of any album is a lot shorter. This way, people can hear about it and look forward to its release.

“Playing new songs is always tricky. We want to give the audience a good show, to get them clapping and cheering and going home on a high; then you slot in a new song and it’s almost apologetic. So we thought “sod that, let’s challenge people and give them the whole album”. We’ve done it with confidence, and give them a payoff with the hits at the end, and the audiences have risen to the challenge. It’s a great relief to be free of the old way of doing things.”

Luckily, the new album Stand Upright In A Cool Place (instructions on a bottle of bleach) has gone down very well indeed, both live and in reviews, with BBC 6Music’s Chris Hawkins calling it “the best stuff they’ve ever done”. But Priest says that although some of their older songs may not be as relevant to the band members today as they were back in 1994, they still enjoy playing the old hits.

“To many of our audience, those songs are part of their lives, and we won’t disrespect that. For example U.K. R.I.P. - a response to the jingoism of Britpop; one of our fans has told us that one was a lifeline to her growing up as a teenage Asian. It’s a great feeling that our songs can affect people in a positive way and make their lives better.

“And Grassman - we heard from a couple who got married to that.”

Ah yes, Grassman. My favourite Dodgy song, a sweeping, piano-led epic, soon due to be remixed by German electronic musician Kris Menace: I haven’t heard the band play that since they came back on my radar (I’ve seen them live twice this year). “The trouble is,” says Priest, “in the days when we were a four-piece with a keyboard player we had to play that all the time at the end of the set. We’re trying to vary things, to revisit some other songs, which are still some fans’ favourites which they thought they’d never hear live at all.”

I won’t hold my breath to hear it at Arlington, then [although I later discovered via Youtube that the band had in fact played it at a gig in Bristol the night after I interviewed Priest. So you never know.

So, back as a three-piece and writing songs that are relevant to them today; Priest says that although he and guitarist Andy Miller carried on with the band after Clark left in 1998, “it was like having a limb missing.

“Nigel was my best mate, so when we weren’t talking for years, it wasn’t nice. Now we know that we can go and do music with other people, but nothing will ever feel like the chemistry of the three of us working well together.

“It all feels so right now - we’ve got a team around us who are all friends and people we've known for a long time, and they’re doing it because they love it. The other day, out of the blue, we got contacted by a computer whizzkid who used to do our website years ago - he’s done a Dodgy phone app.

The band are fully embracing the digital age, with an “Advent calendar” of treats running throughout December in conjunction with Cancer Research UK (join the mailing list at www.dodgyology.com to access it), and Priest says that there is a growing number of new, younger fans turning up at their gigs who have discovered the band through blogs and Youtube. “We’re hoping to reach a whole load of new people, because we really want to carry on doing this,” says Priest. “We’re not expecting to sell millions, but we’d like to make a living out of it again.

“So far, everything has exceeded our expectations. It’s all really exciting.”

Dodgy are playing at Arlington Arts in Snelsmore on Wednesday, January 11. Tickets cost £15 via www.arlingtonarts.co.uk

• First published in Newbury Weekly News on Thursday, December 8, 2011

Why Benn is a big fan of the Beeb - Mitch Benn interview

Not to be confused with Bill Bailey

AFTER a summer schlepping round festivals armed with just a guitar, there’s nothing that  musical comedian Mitch Benn likes better once autumn draws in than to gather his band back together and go on tour - particularly if the schedule includes a stop at New Greenham Arts.

“It’s one of my favourite venues, because of its incongruity,” explains Benn. “Where once there were nuclear weapons and peace campers, there’s now an arts centre and curry house. It’s a wonderful victory for counter-culture.

“I seem to remember that the food is rather good as well.”

Benn, who performed in Greenham last year, is also looking forward to seeing a few familiar faces in the audience: “I like to play places we’ve played before because it builds up a following of people who have an understanding of what we do and what fun can be had.”

So, for those uninitiated into the world of Benn and his band The Distractions (originally so-named because they comprised two female musicians who by Benn’s own admittance were rather easier on the eye than he), what treats await on his current Rhyme Lord tour?

“Well,  I can definitely say this is the best show we’ve ever done, and it’s getting a great response,” states Benn. “People are jumping up and down and still laughing, which is quite difficult when you think about it. There’s loads of innovations, more visual and physical stuff than previous shows.”

The show involves parodies of various musical artists and styles, including a prog-rock adaptation of the children’s classic The Very Hungry Caterpillar. “I’ve always wanted to do a prog-rock opus, but it had to be based on a short book, as otherwise it would go on for ages. This is a one-and-a-half minute-long epic.

“Another thing I do is rap the plot of Macbeth, as it would be done by Eminem. That’s been going down well, which is quite surprising really, as there shouldn’t be that many people who know both Shakespeare and Eminem well enough to get it. I love the fact that it shouldn’t work, but it does.”

There’s also a song called I'm Proud of the BBC which has rather started a pro-BBC movement on the tour. “That one’s been getting standing ovations,” says Benn. “I know that the BBC do employ me a lot [he’s a regular on Radio 4’s The Now Show], but this is something I feel very passionate about. People are sick of being told how much they should hate the BBC, and they seem to have been waiting for someone to say this.

Benn says that he is the only act he knows who attracts both teenagers and their parents, a success he puts down to the fact that he’s “on before The Archers”, then spends his summers performing in the comedy tents at rock festivals. “Most of the year it’s just me and a guitar. But it’s performing with the band that I enjoy the most. It’s an opportunity for me to do things on my own terms.

“In this show, comedy and music are fused at a very fundamental level. It’s one hundred per cent both.”

Mitch Benn & The Distractions perform at New Greenham Arts on Thursday, October 21. Tickets cost £12/£10 from The Corn Exchange box office on (01635) 522733.

• First published in the Newbury Weekly News, on Thursday, October 7, 2010, and online at www.newburytoday.co.uk